I’ll take fog over sun any morning. Perhaps I say that because I was born and raised in Colorado, where fog is uncommon and usually gone before I’m out of bed.
Well, I now have an infant in my life (as I seem to mention in every post), which means 6:30am kinda counts as sleeping in. On the Fourth of July, we had a wet and very cold evening that made the prospect of fireworks with our little girl even less appealing. We watched Return of the Jedi on Spike TV and crashed. Upon waking up at 6am, I discovered a soupy fog had descended on the Yampa River Valley. After brewing a pot of coffee and changing into jeans and a sweatshirt, I was off, leaving my two girls sleeping soundly at the condo.
Varenna was born on a day that started out foggy. I remember that weather distinctly because it was so unusual and I knew this was it — Hailey having contractions seated in her rocking chair … me seated on a stool next to her with a stop watch … the world outside muffled by a thick veil of fog.
And that’s what it is about fog: it is intimate. Broad landscapes become contained, virtually indoor, and the richness of the world’s color comes through.
This was a heavy, heavy fog. Driving down Walton Creek Rd. toward U.S. 40, I was in limbo about where to head for my shots. There were two barns that immediately came to mind. One of them I had photographed a ridiculous amount of times; the other was the one everybody photographed. But I opted for the latter instead because it was close (above two photos). It’s behind a few stores, off a rather unassuming road, and on top of a hill by a construction site. It’s a bit of a let down at first. And yet, it has graced magazine covers, tourism websites and postcards as the emblem of Steamboat. An old Western barn, set in front of the ski area. Perfect dichotomy of old and new, the Wild West and the Recreating West, right?
As a photographer, those postcard shots are nice and exciting for a few years (and clearly, they are marketable), but there is something electrifying about shooting an icon in unexpected conditions. It forces the viewer to reconsider the whole scene. That’s what art is all about.
The fog wasn’t lifting and my coffee wasn’t cold yet. I decided to head for the second barn and see what I’d find. That was when things got magical…
