Posted in January 2009

Speaking of Varenna…

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About six or seven months ago, we were contacted by a graphic design agency in Italy. They were doing the official guide book to the town of Varenna and saw an image of ours on Flickr that fit the bill for their cover. Often times, agencies (whether they’re interactive, advertising or publishing agencies) offer the ol’ “hey, we’ll give you a photo credit” bit, especially those that troll Flickr looking for just the right image. Why do they do it? Because people fall for it.

This firm did the same, and Hailey (who took the call, and who took the photo they were interested in) negotiated to sell it royalty free. That’s my girl.

Seeing the Varenna class this week reminder her that she had not seen the end result yet, so she emailed them yesterday and we got a PDF of it overnight. Looks pretty cool.

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A Very Tempting Idea, But …

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Hailey and I are in the midst of calculating whether we can afford an international getaway of some kind this year. I’ve kept my job (things look promising in that regard) and her business is doing well, but nonetheless, it still feels different this year with the economy so crummy and who-knows-what around the corner.

We think we’ve settled on a plan, and we’re just waiting word from a potential gig for her before we book, but in the midst of this I saw a Facebook ad that literally screamed opportunity to me: On Location Workshop – Photography Class in Varenna, Italy.

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First off, Varenna is a very special spot for me and Hailey. We stopped there in May 2005 to recover from jetlag after my first trans-Atlantic flight and we were immediately seduced. It’s a compact little work of art that’s nestled on a bump in the shoreline on Lake Como. Flowers drip from the buildings, Italians laze on the shore doing nothing, and the Lake Como ferries ease into the dock every 15 minutes with the bored conductor beautifully droning the boat’s destinations on a loud speaker: “Bel-LA-GI-o, Men-AH-gi-O.” Even boredom is musical in Italy.

Most significantly to me, I believe that Varenna is the place where Photography snuck up and did a bodyslam on Writing as my top passion. They had been wrestling since high school, and I’d become an editor by trade, but downloading images onto the laptop at night began to take on more meaning than my faltering, rambling journal entries. I can only imagine what results I’d get shooting Varenna now, four years later and a whole hell of a lot better at photography (plus, with a better camera and better lenses).

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What’s more, running simultaneously to the class I’m interested in is one taught by a photographer I greatly admire — Vincent Laforet. Laforet has sick talent. If I haven’t sent you to his portfolio site or blog just yet, please check it out. His images of Katrina and Pakistan are heartbreaking, eye-opening and they’re not easy to shake. Same goes for his work on the Paniolo Cowboys, but in a very different, less visceral way.

Anyhow, I currently don’t have interest in learning video, which is the course he’s teaching, but I’d love to meet him. Problem is, the course is a few thousand bucks when all is said and done, and I just don’t think it’ll happen. Nonetheless, it’s amazing when things like this converge and they get you thinking….

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Pastoral Barns and An Acid-Trip Rabbit

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Where the hell have I been? Over two weeks since my last blog post, and — I hate to say — there are very few excuses to levvy. I’m just a negligent blogger. Have I been busy? Yes. Have I been sick? No, but I’m getting there tonight. Have I been traveling? A smidge.

This past weekend, Hailey and I headed up to the family condo in Steamboat Springs, Colorado and had ourselves a little fun on 65-inches of packed powder. We even bought some skis. Yes, hard to believe, but this native Coloradan of nearly 30 years has never owned a pair of skis. Sad, shocking, sacrilegious even (to some). Alas, I’m now official. Funny thing is, I have always loved skiing. I’ve loved it since I started taking lessons with the Eskimo Ski Club in sixth grade up at Winter Park. But I’ve always rented, and until this family condo came within reach, I’ve conveniently put off buying skis because I didn’t see myself skiing often enough. Chalk that up to the exorbitant price of lift tickets and the horrific traffic on I-70.

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Anyway, the weather over the weekend was splendid. Endless, uninterrupted blue sky (just look at that sky above left…photo credit goes to Hailey on that one), highs in the 40s and zero wind. While I haven’t yet figured out how to juggle skiing with photography, I did come up with a good strategy for shooting Steamboat this weekend. If I have a problem with shooting up there, its that I’m getting too familiar with the place. I need to see it new again, each time, which gets harder with each trip. So, my new plan is this: less is more.

Rather than drive all over the place looking for new things to capture, I’m just going to pick one or two spots and really work at them. In the case of MLK weekend, I picked the iconic Rabbit Ears Motel sign and the famous Steamboat barn, one at blue hour, the other in mid-morning when the ski area has emerged from shadow.

2009-01-19steamboat-5260The heart was a nice touch and not done by us. Thanks to whomever drew it in the snow ahead of our visit.

Things are a-brewing for Hailey and I. We’re piecing together a vacation, one that promises to be ever-so-photogenic. I’ll let you know where we’re headed once we’re confirmed.

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Picture Perfect – Colorado Vacation Guide Debuts

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Way back in July when I started this blog, I did a quick “sneak peek” on my first photo editorial assignment, which would publish in the Colorado Official State Vacation Guide, a magazine with a circulation of 800,000 that’s distributed by the Colorado Tourism Office to promote the state. Hailey and I were sent to Crested Butte and Aspen to cover the wildflower season, and I shot and wrote the entire article.

Well, this week it came off the press and I’m thrilled with the result. Here’s where the article begins. Click on the image for the full view!

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And here is the second spread:

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The guide won’t be in circulation for another two weeks or so, but once it is, you can request a copy through Colorado.com. For an online gallery of the trip, visit my portfolio site, TanagerPhotography.com, and click on the Travel galleries.

Special thanks go out to Kelly Faigin (the graphic designer who did such a great job picking out photos and laying out the photo essay…she even used one of my food photos), Hannah Pierce (the guide’s editor), Andrea Golod (head of the photo department) and Dusty Demerson (who conducted the photo class in Crested Butte that was the subject of the story).

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The Photo of the Year – Star Trails Over Puglia

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Rather than run another round of voting, I’ve opted to tally up the votes and declare the above shot my picture of the year. In a minute, I’ll tell the story behind the photo, but here are the results of the top 10 shots:

  1. Star Trails Over Puglia, Casalini (Puglia), Italy – 6 votes
  2. Green Fields of Chianti and Passing Storm, Badesse (Tuscany), Italy – 5 votes
  3. Paul Luellig + Lorene Parrish – 5 votes
  4. Vendor at Campo dei Fiori Market, Rome (Lazio), Italy – 4 votes
  5. Tractor in Front of Kate’s Seafood, Brewster (Cape Cod), Massachusetts – 4 votes
  6. Santa Maria Assunta and Galli Islands, Positano (Campania), Italy – 3 votes
  7. Lone Cypress and Blazing Fog at Dawn, Chianti (Tuscany), Italy – 3 votes
  8. Sangiovese Vines at Dawn, Chianti (Tuscany), Italy – 3 votes
  9. Ciabatta Frutti Rossi (strawberry turnovers), Assisi (Umbria), Italy – 3 votes
  10. (5 tied for 10th) Butcher in Assisi, Italy; Sitting in Wildflowers, Crested Butte, Colorado; Blooming Daisies in Positano, Italy; Hand Passing Through Lupine, Crested Butte, Colorado; Carousel and Space Needle, Seattle, Washington – 2 votes (each)

So in the end, what does all of this mean? Well, I’m not quite sure. Possibly nothing at all. But I’m a sucker for lists, Best Ofs and I’m inherently nostalgic, so this was fun. Plus, I’m just happy to have a clear winner. Thanks to all who voted.

Now, on to the story of the winning image. First, it was taken at Acquarossa, a small inn that we discovered in the “heel of the boot,” Puglia, Italy. For a geographical reference, here is where it’s located.


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I was just trying to locate its address online, and it’s so off the beaten path that Google — that bastion of all data in the world — didn’t even register the road they’re on.

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We absolutely loved this place. We discovered it on this great European hotel website called Secret Places, and from the looks of that landing page photo, we knew we wanted to go there. In fact, this inn was the reason we even had interest in Puglia, and once we started reading about the area, we opted to include it in our journey.

Here is the interior of our trullo. We had roughly 750 square feet to spread out, which was pretty remarkable given the fact that this was the cheapest place we stayed the whole three weeks we were in Italy.

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This part of Puglia — the Valle d’Itri — is covered with trullo, a traditional white conical hut that dots the farms and towns of the area. In fact, nearly the entire city of Alberobello is trulli, but that’s another story for another day.

Many of the following photos are Hailey’s because she did such a great job documenting things. Here is an image of the neighbor’s place being constructed. It was fascinating to watch the trulli being built. They layer the rough stones into a cone and then sand them down. I can’t imagine how tedious the sanding must be.

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Many of the trulli are used as agriturismos, farms that have been converted into inns, often times to keep the farm running and economically viable. The owners of Acquarossa are a couple in their mid-thirties — Angela and Lucca — who didn’t strike me as farmers, but more like two city types who opted to live out in the country and maybe make a buck or two at the innkeeping thing. They were very hospitable, the breakfasts were great, and they gave us all the space we could ever want. In fact, this place is in the running for Top Place to Spend Three Months Writing a Book…along with La Casa Grande in Arcos de la Frontera. Again, that’s another story for another time.

Anyway, on to how I took the shot. It was very deliberate. A few days before we departed Denver, I made a last-second purchase for my Canon 40D — a cable release (aka a bulb). This small device plugs into the side of the camera and allows you to take long exposures without jarring the camera on a tripod and blurring the image. Furthermore, you can lock the shutter open, a setting labeled on the camera as bulb. I had this thought in my head: finally, I have a digital camera capable of taking night shots without noise. I wanted to see what it was capable of by trying to get a star trail shot, a twenty minute to multiple hour exposure which captures the rotation of the Earth.

I also figured that Puglia would be my best chance to capture this type of image since light pollution in urban areas renders it nearly impossible. From the moment we arrived at Acquarossa, I set about scouting a spot at the inn to capture star trails with the profile of trulli in the foreground.

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The roof seemed most ideal. I wanted to avoid lights, which could drown out the stars pretty quickly, and from the angle of the roof, I could get close enough to the trulli roof to get the texture of the stonework. In the end, that’s the remarkable thing about these huts — their stonework. Up close, it becomes readily apparent that these buildings are made by hand, something that adds a little extra magic to the landscape.

I scouted this shortly after we did some much needed lauundry in the sink.

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Heck, the roof was even a great place to dry the laundry.

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Anyhow, I had two nights to get it right, so I wasn’t worried too much. We headed out for dinner in Ostuni, a nearby city on a hill with a view down to the distant Adriatic Sea, and came back after dark. What I quickly discovered is that I didn’t have many takes to get the shot. For one, the exposure was 19 minutes at f/11 (with noise reduction meaning an additional 19 minutes of processing before you can take your next shot). All of this quickly drained my battery. Plus, I wasn’t willing to stay up all night. The shot at the top of this post took 45 minutes from set up to the moment it appeared on the LCD panel. Fortunately, I got it right on take No. 1.

The next night, I tried three more exposures, each a little shorter in length (and therefore, shorter star trails). These ones didn’t turn out nearly as well, but I’ll share them anyway. With this first one, there was just not enough light on the foreground, and the angle is not as interesting as the top image.

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And on this last one, balancing the light and dark was extremely difficult, especially without strobes or continuous lights (which I wasn’t about to lug around Italy). Nonetheless, it was windy that night, and I love the way the tree looks as its tossed about in the wind.

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So that’s the story behind the photo of the year. For more on our travels through Puglia, Basilicata and Southern Italy, visit my travel portfolio and click on Matera to Ostuni.

Thanks for voting, for reading the blog and here’s to a great 2009. Two more posts coming in the near future: Christmas and the new Colorado Official State Vacation Guide, which has a six-page story of mine — my first editorial/photo assignment.

Later!

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